Category Archives: BPL Partnership

BPL receives award for Digitization Work with Digital Commonwealth

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The Boston Public Library received an award for its digitization work for Digital Commonwealth members at last month’s Griffin Museum of Photography’s eighth annual Focus Awards ceremony. The Focus Awards recognize contributions to the promotion, curation, and presentation of photography. The BPL received the Commonwealth Award, which is given to an organization that brings prominence to the local photographic scene.

“We are honored to receive this award for our digitization work,” said Amy E. Ryan, President of the Boston Public Library. “It is our great pleasure to contribute to Digital Commonwealth and help increase access to photos archives, cultural treasures, and other historical materials for people across Massachusetts and around the world.”

The annual Focus Awards was created by the Griffin Museum in 2006 in order to recognize critical contributions to the promotion of photography made by institutions and individuals. Tom Blake, Digital Projects Manager for the BPL, accepted the Commonwealth Award on the library’s behalf.

The award was presented to Tom by Bob Cullum, the grandson of photographer Leslie Jones (1886-1967). The Leslie Jones collection of nearly 40,000 glass negatives was digitized by the BPL and is now available for viewing in the new Digital Commonwealth repository that the BPL designed and built and now hosts — https://search.digitalcommonwealth.org/collections/commonwealth:2j62s484w.

The award is certainly very well deserved, not just for the work the BPL has done for the membership and organization of Digital Commownwealth, but the enormouse value this work provides the reputation of the Commonwealth as a whole. Congratulations!!

MBLC annual Legislative Meeting, September 12, 2013

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Both Digital Commonwealth and the BPL were represented at the annual MBLC Legislative meeting on September 12 where members of the library and information community were invited to comment on line items in the MBLC budget. The objective is to improve the MBLC’s presentation of needs to the legislature.

This year, a big push by the MBLC concerns the societal digital divide. The MBLC sees Digital Commonwealth — and more specifically the partnership achievements of Digital Commonwealth and the BPL — as a large part of that initiative.

At the beginning of the meeting, a demonstration of the new BPL repository by developers Stephen Anderson and Eben English was received with great enthusiasm. Afterwards, Michael Colford read a statement in support of the BPL’s partnership with Digital Commonwealth and its Library of the Commonwealth digital scanning services.

Afterwards, Karen Cariani, President of Digital Commonwealth, read a statement and presented a handout that offered further support of the work done by the BPL in partnership with the Digital Commonwealth.

Downloads of the Digital Commonwealth’s statement and handout are available in PDF format:

Another big issue at the meeting concerned the plan to establish a state-wide system of buying and lending ebooks. One question considered was whether or not Digital Commonwealth could be involved in the distribution of electronic books. It is unclear at this point what Digital Commonwealth’s role might be, if any, but this is certainly something that will be further discussed.

Beyond the Scan: The Clark Archives a Piece of the Web

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The Sterling and Francine Clark Art Institute Library has partnered with Archive-It to harvest web content created for the 55th Venice Biennale. The Venice Biennale 2013 Web Collection of organizational websites, video, blogs, and social media sites documents the international art exhibition, La Biennale di Venezia, 2013.

This virtual collection complements the Library’s growing Venice Biennale physical collection of exhibition catalogues, press kits, and ephemera beginning with the 52nd iteration of the Biennale, the oldest and most widely recognized cultural event in the world of contemporary art.

More than a decade ago the Clark library began to concentrate on collecting rare artists’ books and other, less conventional book-like works produced by artists around the world since the 1960s, and it has since built substantial holdings.  In 2007, the library decided to begin gathering such materials at the Biennale and asked Thomas Heneage, a veteran London art-book dealer, to represent the library at the Biennale as its “personal catalog, ephemera and art-book gatherer.”  Through the Clark/Heneage Biennale partnership, the library added oddities like The Whole Universe  created by artist Terence Koh and Used Swim Wear by collaborative duo Han & Him for the 2009 Danish/Nordic Pavilion’s “goodie bag.”

With the 53rd Venice Biennale came a sea change in the Library’s collection. In addition to the collection of traditional paper press kits, Thomas Heneage sent back electronic materials in the form of cds, flash drives, and web address hyperlinks. The library needed not only to preserve the physical objects but the videos, images and text contained within them. To accommodate this new electronic press material, the Library created the Venice Biennale (E-Biennale) Preservation Archive a restricted collection in the library’s digital management system.  New accessions connected with the 54th Venice Biennale (2011) generated even more independent Biennale web content, for example Christian Boltanski’s web game Chance to “induce global participation” beyond his installation in the French Pavilion, that the library set out to preserve as well.

The Venice Biennale 2013 iteration and the Library’s collaboration with the web-archiving service Archive-It has brought the capture of intellectual content to a new level. The Library worked with Archive-It’s Sylvie Rollason-Cass to create the “url seeds” and provide descriptive metadata and faceting using Dublin Core fields.

The Archive-It crawl on behalf of the Library began April 28, 2013 and will continue through to the end of the exhibition in November.  This year also promises to be a banner year for our physical Biennale Collection with Russian gold from Vadim Zakharov’s project titled Danaë and Golden Lion award winner for the Angola Pavilion Edson Chagas’ Found not Taken series of posters.