The Sterling and Francine Clark Art Institute Library has partnered with Archive-It to harvest web content created for the 55th Venice Biennale. The Venice Biennale 2013 Web Collection of organizational websites, video, blogs, and social media sites documents the international art exhibition, La Biennale di Venezia, 2013.

This virtual collection complements the Library’s growing Venice Biennale physical collection of exhibition catalogues, press kits, and ephemera beginning with the 52nd iteration of the Biennale, the oldest and most widely recognized cultural event in the world of contemporary art.

More than a decade ago the Clark library began to concentrate on collecting rare artists’ books and other, less conventional book-like works produced by artists around the world since the 1960s, and it has since built substantial holdings.  In 2007, the library decided to begin gathering such materials at the Biennale and asked Thomas Heneage, a veteran London art-book dealer, to represent the library at the Biennale as its “personal catalog, ephemera and art-book gatherer.”  Through the Clark/Heneage Biennale partnership, the library added oddities like The Whole Universe  created by artist Terence Koh and Used Swim Wear by collaborative duo Han & Him for the 2009 Danish/Nordic Pavilion’s “goodie bag.”

With the 53rd Venice Biennale came a sea change in the Library’s collection. In addition to the collection of traditional paper press kits, Thomas Heneage sent back electronic materials in the form of cds, flash drives, and web address hyperlinks. The library needed not only to preserve the physical objects but the videos, images and text contained within them. To accommodate this new electronic press material, the Library created the Venice Biennale (E-Biennale) Preservation Archive a restricted collection in the library’s digital management system.  New accessions connected with the 54th Venice Biennale (2011) generated even more independent Biennale web content, for example Christian Boltanski’s web game Chance to “induce global participation” beyond his installation in the French Pavilion, that the library set out to preserve as well.

The Venice Biennale 2013 iteration and the Library’s collaboration with the web-archiving service Archive-It has brought the capture of intellectual content to a new level. The Library worked with Archive-It’s Sylvie Rollason-Cass to create the “url seeds” and provide descriptive metadata and faceting using Dublin Core fields.

The Archive-It crawl on behalf of the Library began April 28, 2013 and will continue through to the end of the exhibition in November.  This year also promises to be a banner year for our physical Biennale Collection with Russian gold from Vadim Zakharov’s project titled Danaë and Golden Lion award winner for the Angola Pavilion Edson Chagas’ Found not Taken series of posters.

On April 18 and 19, 2013, the Boston Public Library will host an event at which the Digital Public Library of America will be formally launched.

The underlying system of the DPLA will both aggregate and re-expose metadata drawn from a variety of regional digital library systems. These regional systems will include the initial network of Content and Service Hubs of which Digital Commonwealth has been included. Digital Commonwealth was selected as a pilot DPLA Hub because of the richness and diversity of its content as well as its ability to help members leverage the resources at the Boston Public Library for local digitization projects. As a result of this partnership, descriptive metadata currently searchable and harvestable via Digital Commonwealth systems will also become searchable and harvestable via the DPLA web interface and API. Students, researchers, digital humanists, and applications developers from around the world will now have, at their fingertips, valuable metadata describing digitized cultural heritage materials from Massachusetts, the United States, and beyond. We look forward to the creative and innovative lesson plans, research projects, and learning tools that this consolidated online resource will inspire now and into the future.

At the launch event, Digital Commonwealth will unveil an online exhibition based on the Sports Temples exhibit currently on display at the BPL in Copley Square. The online exhibition will be one of several examples of what will be possible once digital content is made available through the DPLA. Digital Commonwealth has been asked to provide some representative samples of images and corresponding descriptive metadata to be put on display in a variety of formats during the event. Please contact Tom Blake (tblake@bpl.org) if you would like any of your materials to be included in this event, and for further details on how to participate.

Digital Commonwealth’s Partnership with the Boston Public Library

Last fall (November 2011) representatives of the Digital Commonwealth of Massachusetts (Digital Commonwealth) and the Boston Public Library (BPL) signed a letter of agreement stating the intention and commitment of both organizations “to work together towards a shared goal of creating, maintaining and expanding a successful and thriving statewide system to provide access to digital resources found in Massachusetts.”

Since 2007, Digital Commonwealth, a membership-supported collaboration of cultural organizations in Massachusetts, has taken significant steps towards its mission of enabling Massachusetts cultural institutions to create and share digital resources and creating a community of support for participating institutions.  Digital Commonwealth also continues to promote the discovery and use of digital content from the state’s libraries, archives, historical societies, and other cultural institutions, to many audiences

Last fall, within its Library for the Commonwealth program, the Boston Public Library made it clear that it is committed to the development and maintenance of a statewide digital library system as well as the development of a sustainable model for the provision of digital production services for institutions throughout Massachusetts.

The letter of agreement between Digital Commonwealth and the BPL acknowledges that both organizations will share the responsibility of envisioning the functionality of the technical infrastructure, contribute to building a membership base of cultural organizations from all areas of the state, and develop affordable and easy methods for members to share metadata within the statewide system.

The letter of agreement also states that Digital Commonwealth will take the lead on planning outreach activities and conferences and that the BPL will take the lead on developing and maintaining the technological infrastructure, creating user-friendly instructions, and providing some customer service for participating members.

The timing of the partnership between Digital Commonwealth and the BPL is advantageous because Digital Commonwealth’s existing portal and repository (www.digitalcommonwealth.org) need to be updated and reworked.  BPL’s repository developers are working on the new system and the plan is for it to be available in spring 2013.  We plan to share updates about the new portal and repository in future newsletters!

When the letter of agreement was written it was acknowledged that the partnership is a work-in-progress.  Over the next couple of months, representatives from Digital Commonwealth’s Executive Committee will be meeting with the appropriate staff of the BPL to review our letter of agreement and work to ensure our partnership is proceeding as smoothly as possible.

Written for the Digital Commonwealth e-newsletter, November 2012