LebTown, an independent media organization in Lebanon, Pennsylvania, has discovered Digital Commonwealth – big time! In a posting entitled, Wish You Were Here: Lebanon County postcards of decades past, LebTown uses over 20 postcards from the Boston Public Library’s Tichnor Brothers Collection. This collection includes approximately 25,000 office proof postcards from across the United States. LebTown, naturally, has extracted many postcards of interest to residents of Lebanon County. They advise any viewers to go to “Massachusetts Digital Commonwealth” for postcards for the rest of Pennsylvania and “other states”.
If you need a little inspiration for planning your vacation this summer, Tichnor Brothers concentrated on views of vacation spots. Take a look at California, the Grand Canyon, or Vacationland itself, Maine.
In February, the Boston Public Library was in an artistic frame of mind, adding to the American Artists collection as well as adding two new collections: Frank W. Benson (1862-1951) Prints and Drawings and Joseph Pennell (1857-1926) Prints and Drawings.
If you’re not in an artistic mood, the Harvard Forest Archives has added hundreds of maps. Holyoke Community College has uploaded the Frank N. Fowler Postcard Collection. The largest addition this month was the harvest of 1,230 items from Wheaton College’s Marion B. Gebbie Archives Image Collection, including the bagpipers at left.
Parade season is right around the corner. Time to get your kilts from the dry cleaners.
American companies took notice when French art posters became extremely popular in the 1880’s. A new lithography process had made economical printing of large editions of posters possible. American companies commissioned prominent illustrators like Edward Penfield, Will Bradley, Ethel Reed and Maxfield Parrish to create posters. There is no denying the purpose of the posters was to advertise performances, exhibits, magazines, books and other products to a growing middle class. If it also brought art to everyday life, so much the better. And so the American Art Poster entered its golden age, 1890-1920.
Edward Penfield’s poster advertising the April 1893 Harper’s magazine (above, far left) is generally credited as starting an American poster revolution. Unlike previous American posters, this one advertised intellectual – not commercial – product. It also was much more restrained and simpler than the French posters of the time. Penfield included his monogram on this poster. Later, Penfield and the other illustrators would sign their full names and printers would add their company names. Penfield’s posters also set the precedent of doubling as magazine (or book) covers.
Will Bradley’s beautiful Art Nouveau peacock (above, center left) is a change from his frequent depictions of women in windblown gowns. However, it demonstrates the color intensity and textural effects possible with the new lithographic process. This image also demonstrates the influence of Japanese block printing on the Boston-born Bradley.
The always fascinating Ethel Reed was born in Newburyport, studied art in Boston and became a leading poster artist before leaving for London. While still in Boston, she did illustrations for the local newspapers and a guide to Boston as well as book covers, like the Arabella and Araminta stories. (above, center right)
Maxfield Parrish’s Daybreak painting would go on to become the most popular art print of the 20th century. In contrast to the saturated colors of his paintings, Parrish started out with black and white commercial art. Some of those ads and Harper’s Weekly covers are here. The charmingly domestic Harper’s Weekly Christmas cover (above, far right) includes a color background for its black and white image.
With over 500 images, the Boston Public Library’s American Art Posters 1890-1920 is a collection you can visit and revisit, discovering new favorites each time.
